9604a

=========================================================================
Date:         Mon, 1 Apr 1996 08:47:52 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         "Alan M. Bookmiller" 
Subject:      Re: Commpressor/Limiter for Recording Electronic Music

>>Would a compressor/limiter help in 4 Track sound quality for non-vocal
>>compositions?  If so, any recommendations?
>>
Gerry,

You may want to look at the BBE Sonic Maximizer - check the thread running the
list currently.

I noticed David Rogers responded to your message regarding compression, but
on 2/23 he sent a list message detailing compression, limiters and gates which
I found to be very enlightening. I saved it and here it is;

COMPRESSION:
A compressor allows you to "squash" a signal into a desired dynamic range.

Ever wondered why Mariah Carey's voice is a similar level (loudness)
regardless of whether she's shrieking or whispering?  By reducing the level
of her really loud notes, the compressor allows the engineer to increase the
overall level of the vocals, making the soft notes louder.

Compressors generally have a threshold.  If the audio level stays under this,
no compression occurs.  If it reaches or exceeds the threshold, the signal
will be compressed.  What happens is that the engineer decides how much
compression to use.  So if a comp ratio of 4:1 is set, then once the
threshold is exceeded the signal coming _out_ of the compressor will rise
by only 1 dB for every 4dB of rise of the original signal.  Compressors
also commonly have controls for attack and release.  Attack allows you to
set how quickly the compression starts once the signal has exceeded the
threshold.  Release allows you set how quickly the compression stops once
the signal falls below the threshold.  Adjusting these enables you to
filter out noise (though don't go thinking they're like EQ -- they're
not).

Because loud peaks are squashed and the overall level is now increased, it
means that the noise floor of the original signal will be more easily heard.
Setting of attack and release will determine how easily this noise is heard
between transitions from over- to under- the threshold or from under to
over.  IF you hear a "pumping" sound, adjust attack and release until you
can't.

Another reason for adjustable attack is that the brightness of a sound can
have a lot to do with the attack of the sound.  Excitation of a guitar
string, or a violin bow contains more high frequency content (as non-
haramonics -- i.e. not related to the _note_ played) than the following
sustained portion of the sound.  If the compression attack is too slow,
--sorry, mistake.
If the compression comes in too fast, the attack of the sound will be
squashed and you'll lose some of that high-frequency sound which makes
the instrument seem bright.  Setting the compression to come in just
after the attack (pluck or bowscrape or whatever) will preserve the
brightness, but still squash the level generally.

Some compressors also allow you to choose the way the compression comes in
(besides simply fast or slow) -- that is, the 'curve' of its onset.  A
"hard knee" setting will look at the attack time and, after the time has
expired, bring int he compression suddenly.  A "soft knee" setting brings
it in more gradually after the attack time has passed.

Some products (like the Aphex Compellor) have only a couple of controls:
'drive' and 'output'.  The drive is the amount of compression.  The attack
and release are set automatically depending on the nature of the incoming
signal.

LIMITING
One often sees limiters on compressors too, or as stand-alone units.  They
are more commonly used in mastering, although they can be used to absolutely
stop a signal from rising any further.  Many engineers will use compression
followed by hard limiting at a higher threshold.

Simple limiters simply have a threshold setting at which the signal will not
be allowed to rise any further.  More sophisticated models may have attack
and release controls and "frequency-conscious" limiting.  The latter is when
several frequency bands are monitored.  If any one of them reaches the
threshold, it is held and will go no higher.

GATES
Noise gates are kind of like limiters in reverse.  If a signal falls below
a certain threshold, it will be cut off (atttenuated severely).  This can help
to filter out tape noise at times when there is no signal.  It is often used
on drums with multiple microphones.  There will always be some spill: e.g.
the snare mic will pick up a little hi-hat, some toms and so on.  We can
more easily process the snare sound if we can isolate it from the sounds
of the other isntruments which got into that microphone.  A noise set correctly
may enable us to do this.

It is worth knowing about expanders, too.  They are similar to noise gates,
except that instead of muting the signal, they will expand it if it falls
below a certain threshold.  i.e. make the quiet parts quieter, without
cutting them out altogether.  The controls are similar to a compressor,but
the ratio control refers to the amount of expansion.  For example, if
the signal falls 1 dB below the threshold, a 4:1 expansion ratio will cause
it to be attenuated by 4dB.

I'm afraid that when discussing these things, it is necessary to use a certain
amount of jargon, becasue there may be no other way to describe a signal's
or a devices characteristics.  But I hope I have not blinded you with science.
Any mistakes I've made -- and there a bound to be one or two, if not more --
will no doubt be corrected by my colleagues on the list.

Regards,
David Rodger

-------------------------------------------------------------------------------
There you have it - I'm sure you'll find this useful, as I did, and thanks
again Roger.

Alan Bookmiller

tabbooks@pa.net (Alan M. Bookmiller)
=========================================================================
Date:         Mon, 1 Apr 1996 10:36:07 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Brad Elder 
Subject:      Alesis QS6

Hello EMUSIC Listers,

I am new on this list and will probably spend more time reading than posting.


I have recently purchased an Alesis QS6 Synth. and would like to hook up with
other owners of this keyboard to share mutual questions while I learn how
this beast works. If you are familiar with the QS6 & would be willing to
answer questions about it please let me know. If your are in the same
position I am in (just learning) contact me as well. we can find the answers
together.

Thank you for your time,
Brad Elder
Gbelder@AOL.COM
=========================================================================
Date:         Mon, 1 Apr 1996 12:09:31 -0800
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Nathanael W Berry 
Subject:      Commpressor/Limiter for Recording Electronic Music

>Subject:
>
>Would a compressor/limiter help in 4 Track sound quality for non-vocal
>compositions?  If so, any recommendations?
>
        If your music source is purely electronic (non mic), you can usually
limit the dynamic effect of the outputs. At times this may be inconvenient,
and a comp/limit unit might do the trick. If you are using complex velocity
controlled layered samples, for instance, you still want the texture of the
soft (quieter) sample, but it may be too soft for your deck/application. You
can either edit all the sample transition points...or compress the output.
Another application I have found is kids music, or anything that will be
heard on a cheap single speaker cassette deck. The effective dynamic range
of these units may be as limitted as 35-40db. If you try to play a 60db
recording on it, portions just wont be heard!(leaving low and hi Hz issues
out for the moment:)
        If you are looking for names, on the inexpensive side - new (>$200
(barely :)) check out the ART and dbx offerings. Prices rise from there,
although for some situations, these units will do as well as a more
expensive rig. Be aware that you may find a "stereo" unit for less, or used
at a good price, that does not allow dual mono operation [in stereo mode,
the stronger of either input channels controls both comp/limit circuits]. In
a small setup this type of unit is limited.  Dual mono units usually have a
stereo mode. Also, if you spend a few more dollars, you can get expander
functions, which may also be useful in a small studio. A noise gate is also
a very useful feature if you dont have one (several?) already. Especially if
you have specific requirements, or "unusual" applications - try out the
units with _your_ material. If you have no preference between units overall
sound, push the effects beyond normal application so that transitions are
clearly audible, make sure the compression attack and release work with your
music, noise gate release is appropriate, and that the overall "edges" work
for you. You might try a unit several tiers above (theoretically "better")
the units you are considering just as a point of reference. See how it
behaves. In the end...let your ears decide.

Happy hunting
Nate
=========================================================================
Date:         Tue, 2 Apr 1996 11:10:31 EST
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         "Eric Harnden (Ronin)" 
Subject:      looking for spindle

sorry for this folks...
Sean Wolfe!
are you there?
your address is bouncing, according to the emltape-l server.
=========================================================================
Date:         Tue, 2 Apr 1996 12:36:30 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Brad Elder 
Subject:      Basic PC Help Needed!

Hello EMUSIC Listers & Listites!

A friend of mine has an Alesis Quadra Verb & wants to get his laptop PC to be
able to send MIDI instructions to it. He has come to me for help. My laptop
has an integrated sound card (IBM Thinkpad) and his does not (Toshiba - 486)
so I am not that familiar with his system. He does have sequencer software
for his PC (Midisoft Recording Session & Cubase Lite)

1.) If he is going to use a serial MIDI output such as a Midiman Portman PC/S
does he need to have a sound card?

2.) Does the Qudra Verb have a serial interface where the MIDI cables are not
needed?

3.) What else about his setup can anyone suggest? What would be the laest
expensive and or best way to get his system to work?

Any suggestions would be greatly appreciated.

Thank You,
Brad Elder
Gbelder@AOL.COM
=========================================================================
Date:         Tue, 2 Apr 1996 23:04:37 +0300
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Andre Fischmann 
Organization: Lycee Polytechnique - Mauritius
Subject:      Re: Basic PC Help Needed!

Brad Elder wrote:
>
> Hello EMUSIC Listers & Listites!
>
> A friend of mine has an Alesis Quadra Verb & wants to get his laptop PC to be
> able to send MIDI instructions to it. He has come to me for help. My laptop
> has an integrated sound card (IBM Thinkpad) and his does not (Toshiba - 486)
> so I am not that familiar with his system. He does have sequencer software
> for his PC (Midisoft Recording Session & Cubase Lite)
>
> 1.) If he is going to use a serial MIDI output such as a Midiman Portman PC/S
> does he need to have a sound card?

No: he can hear with any external device connected to his quadraverb.

>
> 2.) Does the Qudra Verb have a serial interface where the MIDI cables are not
> needed?

No. The Quadraverb has only MIDI's Input, Ouptput...

>
> 3.) What else about his setup can anyone suggest? What would be the laest
> expensive and or best way to get his system to work?
>

He needs only an external Midi interface for his PC. With this interface
(serial or parallel), he can use any expander, master keyboard...
If in the future he has a lot of Midi equipement, he can buy a Midi
Patch, or he could buy frently a 2Port/SE Music quest interface Paralle
/ Midi (in this case, it will be dificult to print).

It's posible to make his own interface, but I think it's better he buys
a very well knowned interface, to be sure to have all the drivers (DOS,
W3.11, W95)


> Any suggestions would be greatly appreciated.
>
> Thank You,
> Brad Elder
> Gbelder@AOL.COM

--
Andre Fischmann & Diana Silva Santisteban - Fischmann
                fischman@netbox.com  or  fischman@bow.intnet.mu
French man & peruvian girl living in Mauritius Island
                        (tel. & fax 230-6963393)
Interests :     Music (sax, flute, keyboard, MIDI...),
                latin civilisation, Children, Atari - PC...
=========================================================================
Date:         Thu, 4 Apr 1996 10:07:28 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Joe McMahon 
Subject:      Re: VL-1 survey
In-Reply-To:  <1.5.4b12.32.19960330003728.0068f874@carina.rz.uni-osnabrueck.de>
              from "Kai Schwirzke" at Mar 30, 96 01:37:28 am

>
> At 09:54 29.03.1996 -0500, you wrote:
> >I highly recommend that you talk to the folks on the WIND list. There are a
> >lot of people who have the VL-1m rack module and love it.
> >
> > --- Joe M.
>
> Hi Joe,
>
> thanks for the hint. Is it just wind-l@american.edu?
>
> Kai
>
It's WIND@morgan.ucs.mun.ca.

 --- Joe M.
=========================================================================
Date:         Thu, 4 Apr 1996 23:42:25 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Brad Elder 
Subject:      Sequencer Software ?

Hello Again EMUSIC Listites!

Thank all of you who offered help in getting my friends PC to run MIDI. Now
are there any suggestions on sequencer software for the PC?

Thanks in advance for your opinions!

Brad Elder
Gbelder@AOL.COM
=========================================================================
Date:         Fri, 5 Apr 1996 12:31:56 -0800
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Gerry Pawluk 
Subject:      Autocom 1200

Anyone had any experience running from a ROLAND GP-10 into the Behringer
Autocom 1200 to 4 Track? ( ie no guitar amp used.)

I am interested in the resulting guitar track sound from the 1200?

Thanks in advance.
=========================================================================
Date:         Fri, 5 Apr 1996 12:55:16 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Gus Alden 
Subject:      Sending Midi Files

Hello,

Here's my problem for today.  Sorry to bore you with it, but your help
(again), much appreciated.

A friend wants to recieve a midi file of mine.  I export it from my
Mac-based sequencer into the standard midi file format, UU encode it,
attach it as a file to an e-mail post, and send it.  He recieves it, it
downloads into his PC, he decodes it and Voila?  Actually, no.

He attempts to import it into his sequencer, and nothing happens.  Can
anybody determine from the description I've just given of the process, what
the missing link might be?





Gus Alden
aldenoob@biddeford.com
=========================================================================
Date:         Fri, 5 Apr 1996 22:40:14 +0300
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Andre Fischmann 
Organization: Lycee Polytechnique - Mauritius
Subject:      Re: Sending Midi Files

Gus Alden wrote:
>
> Hello,
>
> Here's my problem for today.  Sorry to bore you with it, but your help
> (again), much appreciated.
>
> A friend wants to recieve a midi file of mine.  I export it from my
> Mac-based sequencer into the standard midi file format, UU encode it,
> attach it as a file to an e-mail post

I think may be some E-mail post make by themselves the UUENcode Process
: may be you have then make the UUencode 2 times , one yourself, one the
mail ?

To be sure, you could send yourself a very little Midi file (if you
can't, may be by the List if it's a very little file and if you advise
that you are trying somethong for you ... ?

, and send it.  He recieves it, it
> downloads into his PC, he decodes it and Voila?  Actually, no.
>
> He attempts to import it into his sequencer, and nothing happens.

Nothing ? Does the sequencer took the file or does the sequencer tells
it can't be able to load the file ? ...


Can
> anybody determine from the description I've just given of the process, what
> the missing link might be?
>

I think that may be the MAC Midi file has some header diferent than the
PC Midi FIle. I have a little program Mac2Pc for this, but I never tried
this.

May be you could send me a file of your files, and I'll reply you if I
can use. Don't forget, if you make this, to write that the file is in
Mac and that you want to know if I 'll be able to use it.

I have more than 15 000 midi files, and if you or your friend wants a
list of my files, I can send it (the list, in zip file, takes 220kbyte)



> Gus Alden
> aldenoob@biddeford.com

I hope you'll be able to corrct your problem. Bye

--
Andre Fischmann & Diana Silva Santisteban - Fischmann
                fischman@netbox.com  or  fischman@bow.intnet.mu
French man & peruvian girl living in Mauritius Island
                        (tel. & fax 230-6963393)
Interests :     Music (sax, flute, keyboard, MIDI...),
                latin civilisation, Children, Atari - PC...
=========================================================================
Date:         Fri, 5 Apr 1996 14:19:36 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         George Sawyer 
Subject:      Mastertracks Pro

...and now let's travel back in time........
Does anyone have a copy of Mastertracks Pro for the Apple IIgs ?  I purchased
this program about 5 years ago with an option to mail the registration card
to get a backup copy of the program.  When I finally got around to sending it
in about 2 or 3 years ago, the company told me that the IIgs version was no
longer available and that I could upgrade to the Mac version.  I have quite a
few sequences on the IIgs version and would like the comfort of knowing I
have a backup copy of the program.
(By the way, what platform is the preferred one for sequencing these days?
Mac?, IBM compatible? other?)

Help !!!
George Sawyer
=========================================================================
Date:         Fri, 5 Apr 1996 13:21:00 MST
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         "Curt B. Schatz" 
Subject:      Re: Sending Midi Files

At 12:55 PM 4/5/96 -0500, you wrote:
>Hello,
>
>Here's my problem for today.  Sorry to bore you with it, but your help
>(again), much appreciated.
>
>A friend wants to recieve a midi file of mine.  I export it from my
>Mac-based sequencer into the standard midi file format, UU encode it,
>attach it as a file to an e-mail post, and send it.  He recieves it, it
>downloads into his PC, he decodes it and Voila?  Actually, no.
>
>He attempts to import it into his sequencer, and nothing happens.  Can
>anybody determine from the description I've just given of the process, what
>the missing link might be?
>
>Gus Alden
>aldenoob@biddeford.com
>
How big can this MIDI file be that it needs to be UUencoded? Why not just
attach it as straight binary and see what happens?
=========================================================================
Date:         Sat, 6 Apr 1996 02:03:31 +0300
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Andre Fischmann 
Organization: Lycee Polytechnique - Mauritius
Subject:      Re: Sending Midi Files

Curt B. Schatz wrote:
>
> At 12:55 PM 4/5/96 -0500, you wrote:
> >Hello,
> >
> >Here's my problem for today.  Sorry to bore you with it, but your help
> >(again), much appreciated.
> >
> >A friend wants to recieve a midi file of mine.  I export it from my
> >Mac-based sequencer into the standard midi file format, UU encode it,
> >attach it as a file to an e-mail post, and send it.  He recieves it, it
> >downloads into his PC, he decodes it and Voila?  Actually, no.
> >
> >He attempts to import it into his sequencer, and nothing happens.  Can
> >anybody determine from the description I've just given of the process, what
> >the missing link might be?
> >
> >Gus Alden
> >aldenoob@biddeford.com
> >
> How big can this MIDI file be that it needs to be UUencoded? Why not just
> attach it as straight binary and see what happens?

It's not a problem of size : the Email is in 7 bits, and the files are
in 8 bits : The UUEncade transform the binaries files (Midi, exe,
zip...) to 7 bits files in 7 bits to allowed to be send by EMail !
--
Andre Fischmann & Diana Silva Santisteban - Fischmann
                fischman@netbox.com  or  fischman@bow.intnet.mu
French man & peruvian girl living in Mauritius Island
                        (tel. & fax 230-6963393)
Interests :     Music (sax, flute, keyboard, MIDI...),
                latin civilisation, Children, Atari - PC...
=========================================================================
Date:         Fri, 5 Apr 1996 21:15:42 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Matthew Christenberry 
Subject:      Re: Sending Midi Files

In a message dated 96-04-05 15:15:50 EST, you write:

>I have more than 15 000 midi files, and if you or your friend wants a
>list of my files, I can send it (the list, in zip file, takes 220kbyte)

Could you send me the list.  I would greatly appreciate it.  Thanks.
=========================================================================
Date:         Fri, 5 Apr 1996 21:37:04 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Shirley Anderson 
Subject:      Lowery Festival Organ

I JUST JOINED THIS LIST AND WOULD LIKE TO KNOW IF ANYONE HAS A GOOD WORKING
KNOWLEDGE OF THE ABOVE-NAMED ORGAN.  I HAD ONE DELIVERED THE OTHER DAY AND AM
HAVING FUN BUT NEED TO KNOW MORE.
THANKS
=========================================================================
Date:         Fri, 5 Apr 1996 21:49:19 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Jeff Peters 
Subject:      Re: Sequencer Software ?

Brad,

Powertracks is the most affordable, but is a pale comparison to Cakewalk

Jeff
=========================================================================
Date:         Fri, 5 Apr 1996 21:53:08 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Jeff Peters 
Subject:      Re: Mastertracks Pro

George,

It all depends on what you own and what you want it to do.  For the Mac
Composer is a great sequencer, for the PC Cakewalk is very effective.  There
are more programs out there than you can shake a stick at and the playing
field is getting more crowded by the day, but the studios that I have used
are using these programs.

Jeff
=========================================================================
Date:         Fri, 5 Apr 1996 23:12:19 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Brad Elder 
Subject:      Re: Sequencer Software ?

Jeff,

Thanks for your response. You are not the first to reccomend Cakewalk. Could
you tell me what makes it so good? Also How many tracks will it record? Print
capabilities? Ease of use, editing/writing. Anyhing you can tell me about it
I would appreciate. I do use an IBM Thinkpad.

Thanks again,
Brad Elder
Gbelder@AOL.COM
=========================================================================
Date:         Sat, 6 Apr 1996 11:52:59 -0500
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Jeffrey Krieger 
Subject:      Re: Sending Midi Files

REMOVE
=========================================================================
Date:         Sat, 6 Apr 1996 11:08:08 -0800
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Timothy Kelly 
Subject:      Re: Mastertracks Pro

Hi,
  If you still have the original disks, why not just back them up, make
yourself a copy, or use a copy backup program to copy the installed software
and everything needed to install it. Any hard drive backup program can do this.
  In the US, Mac and PC are most used for music making on computers. With
pcs capturing 80-90% of the music making market. Rest pretty equal among
Macs, Ataris, and Amigas.
  Outside the US, Amiga leads the music making pack, followed by PC, Atari,
and Mac.
  The platforms with more users just give you a lot more hardware and
software choices.
  Your musical imagination is more important than what kind of computer you
have.
  Happy Holiday to All.
  Timothy Kelly
  MidiVox
MidiVox. Real Time Voice to Midi. Hum, Scat, Talk, Rap, Sing.
Become a Human Sequencer, Human Vocoder, Human Breath Controller.
'MidiVox Roars.' Keyboard. AES 'Best in Show.' EM 'Editors Choice.'
Can You Hum a Bass Line? Scat a Horn? Sing a Cello? Rap Some Drums?
=========================================================================
Date:         Sat, 6 Apr 1996 20:45:17 +-100
Reply-To:     Electronic Music Discussion List 
Sender:       Electronic Music Discussion List 
From:         Russ 
Subject:      Re: Mastertracks Pro

------ =_NextPart_000_01BB23FA.1B33DB00
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

> Outside the US, Amiga leads the music making pack, followed by PC, =
Atari,
> and Mac.

This would appear to be mis-informed. Last time I looked, the Atari was =
the leader (in the professional world, anyways), followed by Mac. I have =
*never* seen a studio with an Amiga or PC used for music purposes in it. =
And I've seen a *lot* of studios.

Amigas have no timing, and PCs aren't much better. I wouldn't trust =
either of them if you want to make any music with soul.

> Your musical imagination is more important than what kind of computer =
you
> have.

Agreed, but only to a point. If the track is destined to be played to =
people, you *need* correct equipment. The wildest imagination will not =
produce good results on inadeqate equipment.

Happy Easter to all!

Russ
ZycoN management / CyberSun record company

----------
From:   Timothy Kelly[SMTP:midivox@IX.NETCOM.COM]
Sent:   06 April 1996 20:08
To:     Multiple recipients of list EMUSIC-L
Subject:        Re: Mastertracks Pro

Hi,
  If you still have the original disks, why not just back them up, make
yourself a copy, or use a copy backup program to copy the installed =
software
and everything needed to install it. Any hard drive backup program can =
do this.
  In the US, Mac and PC are most used for music making on computers. =
With
pcs capturing 80-90% of the music making market. Rest pretty equal among
Macs, Ataris, and Amigas.
  Outside the US, Amiga leads the music making pack, followed by PC, =
Atari,
and Mac.
  The platforms with more users just give you a lot more hardware and
software choices.
  Your musical imagination is more important than what kind of computer =
you
have.
  Happy Holiday to All.
  Timothy Kelly
  MidiVox
MidiVox. Real Time Voice to Midi. Hum, Scat, Talk, Rap, Sing.
Become a Human Sequencer, Human Vocoder, Human Breath Controller.
'MidiVox Roars.' Keyboard. AES 'Best in Show.' EM 'Editors Choice.'
Can You Hum a Bass Line? Scat a Horn? Sing a Cello? Rap Some Drums?


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